Works
  • Aaron Siskind, Providence 68, 1986
    Providence 68, 1986
  • Aaron Siskind, Volcano 1, 1980, 1980
    Volcano 1, 1980, 1980
  • Aaron Siskind, Volcano 111, 1980, 1980
    Volcano 111, 1980, 1980
  • Aaron Siskind, Volcano 67, 1980, 1980
    Volcano 67, 1980, 1980
  • Aaron Siskind, Lima 101 (Homage to F.K.), 1975
    Lima 101 (Homage to F.K.), 1975
  • Aaron Siskind, Lima 58 (Homage to F.K.), 1975
    Lima 58 (Homage to F.K.), 1975
  • Aaron Siskind, Lima 59 (Homage to F.K.), 1975
    Lima 59 (Homage to F.K.), 1975
  • Aaron Siskind, Lima 63 (Homage to F. K.), 1975
    Lima 63 (Homage to F. K.), 1975
  • Aaron Siskind, Pleasures and Terrors of Levitation #99, 1961
    Pleasures and Terrors of Levitation #99, 1961
  • Aaron Siskind, Chicago Facade 10, 1957/1985
    Chicago Facade 10, 1957/1985
  • Aaron Siskind, Chicago facade 13, 1957/1985
    Chicago facade 13, 1957/1985
  • Aaron Siskind, Chicago Facade 9, 1957/1985
    Chicago Facade 9, 1957/1985
  • Aaron Siskind, Chicago 25, 1957
    Chicago 25, 1957
  • Aaron Siskind, Martha's Vineyard Rocks III, 1954, 1954
    Martha's Vineyard Rocks III, 1954, 1954
  • Aaron Siskind, Chicago Facade 13, 1952, 1952/2000
    Chicago Facade 13, 1952, 1952/2000
  • Aaron Siskind, Chicago, 1952
    Chicago, 1952
  • Aaron Siskind, Chicago 29, 1952
    Chicago 29, 1952
  • Aaron Siskind, Chicago 85, 1952
    Chicago 85, 1952
  • Aaron Siskind, Harlan, Kentucky, 1951
    Harlan, Kentucky, 1951
  • Aaron Siskind, Kentucky 5, 1951
    Kentucky 5, 1951
  • Aaron Siskind, New York #6 (torn poster), 1951
    New York #6 (torn poster), 1951
  • Aaron Siskind, Chicago 21, 1949 (peeled paint), 1949
    Chicago 21, 1949 (peeled paint), 1949
  • Aaron Siskind, Chicago 30, "R", 1949
    Chicago 30, "R", 1949
  • Aaron Siskind, Chicago 4, 1949 (glyph on wall), 1949
    Chicago 4, 1949 (glyph on wall), 1949
  • Aaron Siskind, Jerome, Arizona, 21, 1949
    Jerome, Arizona, 21, 1949
  • Aaron Siskind, New York #7 (broken glass), 1948
    New York #7 (broken glass), 1948
  • Aaron Siskind, New York (South Street) 3, 1947
    New York (South Street) 3, 1947
  • Aaron Siskind, New York 2, 1947
    New York 2, 1947
  • Aaron Siskind, Seaweed 8, 1947
    Seaweed 8, 1947
  • Aaron Siskind, Gloucester I H (Glove), 1944/1956
    Gloucester I H (Glove), 1944/1956
  • Aaron Siskind, Gloucester (Rooftops), 1944
    Gloucester (Rooftops), 1944
  • Aaron Siskind, Gloucester (Ship's vent), 1944
    Gloucester (Ship's vent), 1944
  • Aaron Siskind, Gloucester (Wire Mesh Window), 1944
    Gloucester (Wire Mesh Window), 1944
  • Aaron Siskind, Gloucester 5, 1944 (Rock), 1944
    Gloucester 5, 1944 (Rock), 1944
  • Aaron Siskind, Martha's Vineyard (Seaweed A) 2, 1943
    Martha's Vineyard (Seaweed A) 2, 1943
  • Aaron Siskind, Martha's Vineyard Buoy, 1943
    Martha's Vineyard Buoy, 1943
  • Aaron Siskind, End of the Civic Repertory Theater, 1938
    End of the Civic Repertory Theater, 1938
  • Aaron Siskind, Harlem (mother & daughter in kitchen), 1936
    Harlem (mother & daughter in kitchen), 1936
  • Aaron Siskind, Harlem (dancer), 1935
    Harlem (dancer), 1935
  • Aaron Siskind, Harlem (two boys in front of peddler's cart), 1935
    Harlem (two boys in front of peddler's cart), 1935
  • Aaron Siskind, Store Front , NYC, 1935
    Store Front , NYC, 1935
  • Aaron Siskind, Tabernacle City, 1935
    Tabernacle City, 1935
  • Aaron Siskind, Tabernacle City 1, 1935
    Tabernacle City 1, 1935
  • Aaron Siskind, P & T of Levitation
    P & T of Levitation
  • Aaron Siskind, P & T of Levitation
    P & T of Levitation
Biography

Born in New York City in 1903, Aaron Siskind was educated at New York’s City College, where he received his Bachelor of Special Studies in Literature. He then began to teach English in New York City’s public school system. Only in 1929, when Siskind received his first camera as a honeymoon gift, did he begin a lifelong photographic exploration of his surroundings. In 1932, Siskind joined the Film and Photo League, a socially inspired documentary group where he was first exposed to the work of such photographers Berenice Abbott and Walker Evans. Siskind's work for the Film and Photo League included his influential role in the Harlem Document, a project intended to shed light on the disintegrating quality of life in Harlem during the industrial expansion that followed World War I.

 

In 1943, Siskind’s photographs began to evolve and mature according to his early interest in structure and his growing appreciation of the image as both spatially and socially important. He began to photograph disregarded objects and spaces in Martha's Vineyard and Gloucester, Massachusetts, creating images that were expressionistic and personal. As a friend and peer of painters Willem de Kooning, and Franz Kline, Siskind directly influenced their work and foreshadowed the style that later became known as Abstract Expressionism.    

 

Despite his increasing notoriety, the artist never abandoned teaching.  He held a number of professorships, but spent most of his time at the Rhode Island School of Design alongside photographer Harry Callahan, all the while mounting exhibitions and writing extensively.

Siskind continued to travel the world well into his eighties. In 1984, he founded The Aaron Siskind Foundation, which provides support, through grants, for the efforts of contemporary photographers. Siskind died in Providence, RI, on February 8, 1991.

 

Selected Collections:

Aaron Siskind Archive, Center for Creative Photography, University of Arizona, Tucson, AZ

Museum of Modern Art, New York, NY

International Center for Photography, George Eastman House, Rochester, New York

Carpenter Center and Fogg Art Museum, Harvard University, Cambridge, MA

Art Institute of Chicago

Minneapolis Institute of Art, MN

Museum of Fine Arts, Houston

National Gallery of Canada, Ottawa

Bibliotheque Nationale, Paris