Works
  • Irving Penn, Balenciaga Long Harem Dress (Diane), Paris Collection, Vogue, September 1, 1950
    Balenciaga Long Harem Dress (Diane), Paris Collection, Vogue, September 1, 1950
  • Irving Penn, Jean Patchet in Lima, Peru, Jan. 6,1949
    Jean Patchet in Lima, Peru, Jan. 6,1949
  • Irving Penn, Jean Patchet in Lima, Peru, Jan. 6,1949
    Jean Patchet in Lima, Peru, Jan. 6,1949
  • Irving Penn, Woman with Long Black Neck (Jean Patchett), New York, c. 1951
    Woman with Long Black Neck (Jean Patchett), New York, c. 1951
  • Irving Penn, Lisa Fonssagrives Penn, c. 1950
    Lisa Fonssagrives Penn, c. 1950
  • Irving Penn, White Brocade Dress, Designer Unknown (Jean Patchett), c. 1949
    White Brocade Dress, Designer Unknown (Jean Patchett), c. 1949
  • Irving Penn, Woman with Bracelet, c. 1949
    Woman with Bracelet, c. 1949
  • Irving Penn, Woman with Cheek Jewelry, c. 1949
    Woman with Cheek Jewelry, c. 1949
  • Irving Penn, Young Woman with Beaded Eye Mask, New York (IP.SV.1130.1), 2004
    Young Woman with Beaded Eye Mask, New York (IP.SV.1130.1), 2004
  • Irving Penn, Christian Lacroix Corset, Paris (IP.892.4), 1995
    Christian Lacroix Corset, Paris (IP.892.4), 1995
  • Irving Penn, Catwoman, New Guinea, 1979
    Catwoman, New Guinea, 1979
  • Irving Penn, Cigarette No. 37, 1974
    Cigarette No. 37, 1974
  • Irving Penn, Cigarette No. 8, 1972
    Cigarette No. 8, 1972
  • Irving Penn, Three Rissani Women with Bread, 1971/1978
    Three Rissani Women with Bread, 1971/1978
  • Irving Penn, Man in White, Woman in Black, Morocco, 1971
    Man in White, Woman in Black, Morocco, 1971
  • Irving Penn, Two Guedras, Goulimine, Morocco, 1971
    Two Guedras, Goulimine, Morocco, 1971
  • Irving Penn, Young Berber Shepherdess of the Ait Yazza People in the High Atlas, witha newborn lamb (B), Morocco ( IP.C.750.6), 1971
    Young Berber Shepherdess of the Ait Yazza People in the High Atlas, witha newborn lamb (B), Morocco ( IP.C.750.6), 1971
  • Irving Penn, Young Berber Shepherdess of the Ait Yazza People in the High Atlas, witha newborn lamb (B), Morocco ( IP.C.750.6), 1971
    Young Berber Shepherdess of the Ait Yazza People in the High Atlas, witha newborn lamb (B), Morocco ( IP.C.750.6), 1971
  • Irving Penn, Ungaro Bride Body Sculpture (Marisa Berenson), NY or Paris (IP.S.1146), 1969
    Ungaro Bride Body Sculpture (Marisa Berenson), NY or Paris (IP.S.1146), 1969
  • Irving Penn, Rock Groups, San Francisco Big Brother and the Holding Company and The Grateful Dead, 1967
    Rock Groups, San Francisco Big Brother and the Holding Company and The Grateful Dead, 1967
  • Irving Penn, Hat (Isabella Albonico), New York (IP.S.549.5), 1960
    Hat (Isabella Albonico), New York (IP.S.549.5), 1960
  • Irving Penn, Pablo Picasso (A), at Californie, Cannes, 1957
    Pablo Picasso (A), at Californie, Cannes, 1957
  • Irving Penn, Pablo Picasso (A), at Californie, Cannes, France, 1957
    Pablo Picasso (A), at Californie, Cannes, France, 1957
  • Irving Penn, Woman with Diamond in Teeth
    Woman with Diamond in Teeth
  • Irving Penn, Woman with Hat and Veil (Jean Patchet)
    Woman with Hat and Veil (Jean Patchet)
Series
Exhibitions
Biography

Born in Plainfield, New Jersey, Irving Penn studied drawing, painting and graphic and industrial design at the Pennsylvania Museum School of Industrial Art in Philadelphia. Brodovitch, one of his teachers there, helped Penn break into the magazine world with an assistantship at Harper’s Bazaar. By 1943, Penn had become an assistant at Vogue and supervised the magazine’s cover design. His subsequent trips to Italy during World War II would see him turning to photography so that, in 1946, he worked as a Vogue staff photographer.

 

Penn is notable for his use of spare and delicate details in images that retain an artistic grandeur. So in the 1960s and 1970s, when fashion ideals were trending far left from Penn’s haute couture, he photographed cigarette butts and eventually had the images exhibited at New York’s Museum of Modern Art and Metropolitan Museum of Art. He was a renowned perfectionist and worked privately on still lifes and curvy nude torsos that stood in contrast to the slim models he first photographed. “I myself have always stood in awe of the camera,” Penn once said. “I recognize it for the instrument it is, part Stradivarius, part scalpel.”

 

The majority of Penn’s archives belong to the Art Institute of Chicago. The Smithsonian American Art Museum and the National Portrait Gallery share a collection of his signature images.