BOOTH A16 | April 23 - April 27, 2025 | Park Avenue Armory - New York
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Gordon Parks1912-2006Boy with June Bug, Fort Scott, Kansas (44.001), 1963Stamped by The Gordon Parks Foundation: "This is a Certified Gordon Parks Photograph which was printed and authenticated by the Gordon Parks Foundation" and signed by Peter W. Kunhardt, Jr., Executive Director, The Gordon Parks Foundation, in pencil versoarchival digital pigment print20 x 24 inches
40.64 x 50.8 cm
also
16 x 20 inches -
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Francesca Woodman1958 - 1981Untitled, New York (corset), 1977-78George and Betty Woodman's signature and inscription "For Igor" in pencil, the edition notation "PP" also in pencil, the printer's credit stamp, and the "PE/FW" stamp on verso.gelatin silver print5.5 x 5.5 inches
10 x 8 inch sheet
posthumous print -
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Irving PennThree Rissani Women with Bread, 1971/1978Signed, titled, dated, numbered, and annotated in pencil, Penn-Condé Nast copyright credit reproduction limitation and edition stamps on reverse of the mount.platinum/palladium print mounted to aluminum21.5 x 19.5 inchesEdition 13 of 32Courtesy of Robert Klein GalleryCopyright Conde Nast -
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Julia Margaret CameronAlfred, Lord Tennyson, as The Dirty Monk, 1865signed and inscribed by both Cameron and Tennyson. "I prefer the dirty monk to the others of me, except one by Mayall" Tennyson.
"Given to Mary Gilbert by her true and affectionate friend Julia Margaret Cameron_____Oct 12 day of farewell". Mary Gilbert was Cameron's daughteralbumen print9 x 7.25 inches
20 x 17 inches -
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William GarnettTwo Trees on Hill with Shadows, Paso Robles, CA, 1974This vintage silver gelatin print is stamped, titled,
dated and signed in pencil mount verso. The original mount is
trimmed to the edges of the image, which was Garnett's
preferred presentation.gelatin silver print15.875 x 19.875 inches
40.32 x 50.48 cm -
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Edward S. CurtisThe Vanishing Race-Navaho, 1904Signed in the negative and offered in its original studio frame with period labels intact on the reverse. This rare oversized print is in pristine condition, with exceptional tonal depth and luminosity. The frame is remarkably well-preserved, further underscoring the work’s provenance and visual impactOrotone14 x 17 inches
35.56 x 43.18 cm -